Isabel Allende transports us to a Latin American country in the grip of a military dictatorship, where Irene Beltran, an upperclass journalist, and Francisco Leal, a photographer son of a Marxist professor together discover a hideous crime. They also discover how far they dare go in search of the truth in a nation of terror . . . and how very much they risk. "From the Paperback...(展开全部)

Here is a tale of love and political commitment that centers on the unconventional, naive daughter of a wealthy family and the son of a Spanish exile, with whom she becomes involved. Together, as reporter and photographer, they uncover a hideous crime that puts their love and lives at risk. Previously published by Knopf.

Isabel Allende transports us to a Latin American country in the grip of a military dictatorship, where Irene Beltran, an upperclass journalist, and Francisco Leal, a photographer son of a Marxist professor together discover a hideous crime. They also discover how far they dare go in search of the truth in a nation of terror . . . and how very much they risk. "From the Paperback...(展开全部)

Here is a tale of love and political commitment that centers on the unconventional, naive daughter of a wealthy family and the son of a Spanish exile, with whom she becomes involved. Together, as reporter and photographer, they uncover a hideous crime that puts their love and lives at risk. Previously published by Knopf.

戴维·斯沃茨(David Swartz，1945-)，1984年毕业于波士顿大学，获博士学位。曾在巴黎大学、卫斯理大学(Wesleyan University)以及耶鲁大学教授和研究社会学和社会理论。现为波士顿大学社会学系教授。近来的研究兴趣集中在知识分子研究、政治学研究、精英和社会分层研究等方面。

戴维·斯沃茨(David Swartz，1945-)，1984年毕业于波士顿大学，获博士学位。曾在巴黎大学、卫斯理大学(Wesleyan University)以及耶鲁大学教授和研究社会学和社会理论。现为波士顿大学社会学系教授。近来的研究兴趣集中在知识分子研究、政治学研究、精英和社会分层研究等方面。

Shadows are holes in light. They are see all the time and sometimes noticed, but their part in our visual experience of the world is mysterious. This text draws on contemporary cognitive science, 18th-century theories of visual perception and art history to discuss shadows and the visual knowledge they can offer. The author begins by describing the physical constitution and dif...(展开全部)

Shadows are holes in light. They are see all the time and sometimes noticed, but their part in our visual experience of the world is mysterious. This text draws on contemporary cognitive science, 18th-century theories of visual perception and art history to discuss shadows and the visual knowledge they can offer. The author begins by describing the physical constitution and dif...(展开全部)

Shadows are holes in light. They are see all the time and sometimes noticed, but their part in our visual experience of the world is mysterious. This text draws on contemporary cognitive science, 18th-century theories of visual perception and art history to discuss shadows and the visual knowledge they can offer. The author begins by describing the physical constitution and dif...(展开全部)

布兰登·桑德森，美国奇幻作家，其续写的罗伯特·乔丹的《时光之轮》系列，打败丹·布朗的新书《失落的密符》，空降《纽约时报》畅销书排行榜并成为头号畅销书。其处女作《诸神之城：伊岚翠》出版当年便获得Romantic Times奇幻史诗大奖，并连续入选2006、2007年美国科幻/奇幻界地位最高的新人奖项。布兰登才思敏捷，风格多样， 其代表作《迷雾之子》系列全球销量数百万，确立了他在新生代奇幻作家中的领军地位。